(I could talk about where that line is technically, but frankly with all live visual software, this comes down to the fact that part of the user market has more money to spend because they get paid more. Resolume comes in two editions: Avenue and Arena, the former more for the solo visualist and indpendent VJs, the latter more for bigger-budget productions. Since you’re dealing with image, not sound, the horizontal layers make more sense for optical composition than Ableton’s endless vertically-oriented mixer tracks. Resolume isn’t the only clip-oriented VJ tool, but it’s probably the most comfortable to people coming from Ableton Live (and it can even mix audio as well as video), with some adjustments to how you think. Instead, it’s somewhere in between – somewhere that works really well for programming live visual shows to music. It’s also not rigidly limited to a DJ-style mixing paradigm. It isn’t as open-ended as semi-modular environments like VDMX, and it’s not a from-scratch visual development tool like TouchDesigner or Max. With scenes vertically and clips horizontally (90 degrees rotated from what you get in Ableton Live), you can then add per-clip effects and automation, all while making a composition in layers. ![]() And to get you started easily, the software defaults to a easy-to-handle three layers. Those layers are intuitively displayed horizontally, with corresponding clips in rows and scenes in columns. Resolume works in multiple layers (which now in 6 you can use as groups and employ as masks). What sets Resolume apart is its distinctive, horizontally layered interface. There are lots of ways to play and composite videos and animations live on a computer. ![]() You can think of Resolume as the “Ableton of VJing” – a tool that lets you trigger visuals instead of musical patterns.
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